Post by michele5611 on Sept 19, 2011 13:13:46 GMT -5
www.ohmidog.com/2011/09/19/haunted-by-their-dog-killing-pasts/
Haunted by their dog-killing pasts
What do Tom Otterness and Michael Vick have in common?
A lot.
They both killed dogs, then went on to even greater achievement, fame and fortune in their respective professions — Vick as an NFL quarterback, Otterness as an artist.
But both are still dogged by their pasts, and both seem to imply that’s wrong — that those who keep bringing up the dogs they killed should forgive and forget and let them get on with their lives.
Boo. Freakin’. Hoo.
Otterness, a Brooklyn artist who once shot and killed a dog and called it art, has just landed a $750,000 city art contract for the Central Subway in San Francisco, according to the San Francisco Examiner.
Vick, meanwhile, will have to subsist under the terms of the $100 million contract he recently signed with the Philadelphia Eagles.
In June, the board of directors of the San Francisco Municipal Transportation Agency approved a contract with Otterness for 59 bronze sculptures for the proposed subway’s Moscone station. (The board was unaware of the incident in Otterness’ past — even though it has reared its ugly head several times before.)
“Tom Otterness is a world-renowned sculptor who has been commissioned by government agencies around the world to create major permanent public art projects,” Susan Pontious, who pilots the San Francisco Arts Commission’s public art program, said in a statement. “The Central Subway Artist Selection Panel chose Otterness based on the strength of his proposal and his impressive portfolio of past sculptural work.”
We can only guess Otterness doesn’t list his dog-shooting movie on the resume.
Otterness has repeatedly apologized for the 1977 film project. He was 25 when he bought a small black and white dog from an animal shelter, chained it to a fence and then shot it. He filmed it for a work entitled, “Shot Dog Film.”
But the artist, like the football player, has learned that — no matter how much remorse is expressed or, in Vick’s case, time is served — some people aren’t willing to let bygones be bygones when it comes to slaying dogs.
“You do not let an animal shooter put up 59 sculptures in your subway system,” said Anita Carswell, director of the Guardian Campaign for In Defense of Animals. “This is a slap in the face of the city. It’s going to be offensive to everybody that rides the subway, a reminder: ‘People who shoot dogs for stupid reasons get rewarded.’”
As Carswell noted, San Francisco is named after St. Francis of Assisi, the patron saint of animals.
In a recent New York Observer article, here’s how Otterness responded when the dog killing was brought up:
“What the f— do I do with this? Certainly the scene it was part of, it was in the context of the times and the scene I was in … It is something I’ve grown to understand that nothing really excuses that kind of action. I had a very convoluted logic as to what effect I meant to have with that video. Whatever I had in mind, it was really inexcusable to take a life in service of that.”
Haunted by their dog-killing pasts
What do Tom Otterness and Michael Vick have in common?
A lot.
They both killed dogs, then went on to even greater achievement, fame and fortune in their respective professions — Vick as an NFL quarterback, Otterness as an artist.
But both are still dogged by their pasts, and both seem to imply that’s wrong — that those who keep bringing up the dogs they killed should forgive and forget and let them get on with their lives.
Boo. Freakin’. Hoo.
Otterness, a Brooklyn artist who once shot and killed a dog and called it art, has just landed a $750,000 city art contract for the Central Subway in San Francisco, according to the San Francisco Examiner.
Vick, meanwhile, will have to subsist under the terms of the $100 million contract he recently signed with the Philadelphia Eagles.
In June, the board of directors of the San Francisco Municipal Transportation Agency approved a contract with Otterness for 59 bronze sculptures for the proposed subway’s Moscone station. (The board was unaware of the incident in Otterness’ past — even though it has reared its ugly head several times before.)
“Tom Otterness is a world-renowned sculptor who has been commissioned by government agencies around the world to create major permanent public art projects,” Susan Pontious, who pilots the San Francisco Arts Commission’s public art program, said in a statement. “The Central Subway Artist Selection Panel chose Otterness based on the strength of his proposal and his impressive portfolio of past sculptural work.”
We can only guess Otterness doesn’t list his dog-shooting movie on the resume.
Otterness has repeatedly apologized for the 1977 film project. He was 25 when he bought a small black and white dog from an animal shelter, chained it to a fence and then shot it. He filmed it for a work entitled, “Shot Dog Film.”
But the artist, like the football player, has learned that — no matter how much remorse is expressed or, in Vick’s case, time is served — some people aren’t willing to let bygones be bygones when it comes to slaying dogs.
“You do not let an animal shooter put up 59 sculptures in your subway system,” said Anita Carswell, director of the Guardian Campaign for In Defense of Animals. “This is a slap in the face of the city. It’s going to be offensive to everybody that rides the subway, a reminder: ‘People who shoot dogs for stupid reasons get rewarded.’”
As Carswell noted, San Francisco is named after St. Francis of Assisi, the patron saint of animals.
In a recent New York Observer article, here’s how Otterness responded when the dog killing was brought up:
“What the f— do I do with this? Certainly the scene it was part of, it was in the context of the times and the scene I was in … It is something I’ve grown to understand that nothing really excuses that kind of action. I had a very convoluted logic as to what effect I meant to have with that video. Whatever I had in mind, it was really inexcusable to take a life in service of that.”